Writing about writer's block
On the rare occasions when I update this journal, I'm always conscious of my style of writing. Part of me wants it to emulate a weekly newspaper column, where the writer gives worth amusing witticisms of a particular event from the past week, musing on the little lessons of life and the delicacy of beautiful that comes from living. Perhaps if I really tried, it could read a little like the Times' Robert Crampton (or even the late, great, John Diamond).
But only a few blog entries (of which I am nearly 80 now) have ever really escapulated this sense. Usually I end up writing about that forbidden subject of all writers- not being able to write. There is little literary worth gained by investigating the dull world of writer's block.
Adding to this line of thought, I have alot of poems or fragments of poems that have been abandoned. A small porportion of these do show some merit- there is the outline of a solid piece of poetry starting to form form the clay of the raw words. But for some reaosn or another, the piece refused to be teased into a completed formation. In fact, perhaps the beauty of the poetry comes from the fact that the poem does lie unfinished. There are rudimentary sketches, studies for a planned oil painting, which may never actually come about.
It's very hard to say when a poem is complete, when you are happy with each word, comma, nuance, allusion, etc. The easier job is in saying what looks and feels incomplete. Perhaps one should revel in the incompletion, celebrate the imperfection, and say that every once in a while, perhaps things should be left as they are.

