The Death of the Super-Group
I’m on a comedown after the euphoria of a live gig. And this wasn’t just seeing our average pub-rock band play upstairs on a cramped stage with varying degrees of scum creeping up the walls (call them the patrons, or whatever you will). This was REM, arguably one of the last super-groups alive, and undoubtedly something special.
As you might expect, the band were keen to plug their new album (I’m not even too sure of the name of it; a quick internet search reveals it to be called Around The Sun), so quite a number of new songs were played. At least, I think they were new: I’m not exactly au fait with their entire, and very extensive, back catalogue, so I wouldn’t really be able to tell the difference. Four songs in, and I haven’t recognised one bar of music yet to tap my foot along too. But then they pull out one of their big guns: ‘Everybody Hurts’, the musical equivalent of the weepiest movie you’ve ever seen, wrapped up with an extra does of melancholy, and just a dash of hope to spice it up. I could have happily walked out after that song was played, saying to myself, “I’ve seen REM play ‘Everybody Hurts’ live”, and I would have been perfectly satisfied. But thankfully, things just got better and better.
Now, I don’t want to talk too much about the band itself, because there’s nothing much worse that having to listen to something rant emphatically about a select item of culture, and I’m not particularly a big fan of them anyway. My CD collection is notably free from any REM additives or preservatives. The reason I mention the concert at all is down to a conversation I had with my brother, Chris, over lunch on Friday.
Chris reckoned that out of all the super-groups that have ever existed, only two remain worldwide: REM, and U2. This thesis obviously needed some consideration. His rules, with a few additions of my own, for being a super-group were simple:
1. The band must be able to easily sell out stadium-sized gigs, and/or headline major festivals. Crowd sizes of a least over 10,000 would be the very minimum acceptance;
2. Any band available for consideration must be playing for over five years, to prove their longevity;
3. Most importantly, they must have broad appeal.
Now, this third option might be the swaying factor. I argued that great British group Iron Maiden can easily play to festivals of 80,000+. However, heavy metal is a select taste, and therefore doesn’t fit all the criteria. This would rule out American monsters Metallica as well, despite their legions of royal fans. Could Oasis still be labelled as a super-group? After a few seconds thought, both Chris and I dismiss them and most of Britpop together. Coldplay might be able to cut the mustard, but they haven’t passed rule two yet.
The Rolling Stones enter our minds as someone we’ve too easily overlooked, and I’m sure there are a few others that we remain oblivious to. The Eagles were one we debated over, if you remember the Hell Freezes Over tour. Our rough calculations figure that that tour grossed four billion dollars. They should have been called it the Get Rich (Again) Quick Tour. Basically, the essence of our conversation revealed that the super-group is dying. We can only hope that with young upstarts of today stick around and create something worthwhile in years to come.

